I first started making holograms in 1984 and was interested in the application of holography in museums. I set up a holographic studio trading as 3DI and produced an Ancient Art Series.
 
When I first learnt about holograms I was fascinated by their intrinsic nature, in particular the way in which they embodied a holistic paradigm. I was intrigued by interference patterns and how they enabled the hologram to capture a form without its substance.
 
Moiré Squares was an experiment with the moiré effect which is created by overlapping two surfaces to produce an interference pattern. I became interested in geometry while I was a student at the Royal College of Art from 1987-1989. This interest developed into a much broader investigation into traditional and sacred Art.